Sun and Wings, or, Stuff I Think About
Sometimes, when I’m feeling down, I compose new lyrics for songs. This was a result of last Tuesday, when I was too tired to keep myself from moping. Thankfully, I feel much better now.
——
Hello Seattle, I am a dying bird
Missing the warmth of your arms
I fell asleep and now I just can’t wake
From the pain of this nightmare
`
Hello Seattle, I am a lost word,
Drifting and purposeless
I’ve been dropped and I’ve been pushed around,
And now I can’t even stand.
`
Hello Seattle, I am the crying child
Help me find something of myself
My heart hurts and I can’t see the sun
Where are you tonight?
`
Hello Seattle, I am the dying bird.
You forgot me and now I’m lost
And it’s all dark here
Beneath the waves
`
Hello Seattle, I am the sinking ship.
I can’t find myself
Drifting in the salty tears
And I think I’m losing the war.
`
Hello Seattle,
Have you seen how everyone leaves?
This house is cold without you here.
And there’s nothing to hold dear.
`
Take me away tonight, love me forever more.
Show me the sun, show me that there’s still light.
Take me away, show me something pure and bright.
Wrap me in your arms, sing me to sleep tonight.
Paper Heroes
Created by Grégoire Guillemin
Available at society6.
This is pretty awesome, don’t you agree? I love the absolute mane of hair Black Widow has going on.
Interadulation asked for some pics of Core ‘in beastie form,’ so I whipped up a ref sheet thingie for him.
There’s some leeway in this—it’s by no means finalized, after all. The wings come and go, and sometimes there’s only a wing on one side or he gains more. It kind of depends on his mood. The horns change form, too, though usually they’ll have more than one point to them.
Sometimes the mask has a ribbon holding it on, sometimes it won’t.
The tail is in the most elaborate incarnation it’ll ever be at present. If you want you can just refine it down into a sleek tail tipped with the stinger—we won’t mind.
Thing(s) that don’t change: The mask always stays on and (at least for now) always has this pattern to it. Core’s hair is long and black and has a mind of its own. It generally likes to billow dramatically.
I’m calling this the centaur form, though it only bears a passing resemblance to an actual centaur. It helps me differentiate from Core’s quad form (which is vicious and ugly and terrifying—at least it will be). It’s probably the ‘prettiest’ of the three forms he uses the most. I added the little secondary limbs on a whim and liked them too much to get rid of them.
I mean—lil’ tiny psuedo-insect-arms! :D
Core is probably one of the most self-indulgent characters I have. Especially in this form. Those wings are completely impractical, and it’s only because the quad part of him is so massive that he’s able to keep from face planting.
But I love him too much to care. :) Just lookit those lil’ secondary arms!
Crispy asked for sketch trades, and here is my answer. :) Here’s her two characters, Aryian and Jeih. I’m not quite sure how one Lock patches up the other; my guess is Ary’s just about to use his Will to simply knit Jeih back together.
I imagine their dialogue is something like this:
Ary: You’re an idiot.
Jeih: Whatever.
People follow moonspots because he/she is a freeloader and draws well.
Thank you for the backwards compliment, automated machine.
People follow Laceddog because he/she is hot and likes sleeping naked.
well this is awkwardPeople follow crispyfishsticks because he/she is a bishoujo and has a pillow fetish.
…….
People follow Solrika because she/he is melodramatic and likes to punish others.
…
You are weird, little random sentence generator.
(Source: repository-of-lost-things)
Playing around with anatomy tonight (despite my limited knowledge of the subject).
Top: Working on drawing the human body (well, the female body) more realistically. These were done without refs—I wanted to see how well I was able to take what I’d observed during my lifedrawing class and various snippets of anatomy and put it into action.
One thing I need to work on is drawing different body types, so I played around with muscled/not muscled, curvy/skinny, etc. My ‘norm’ is a slender-ish hourglass, so I was trying to get away from that.
A problem I’m having is when I draw heavier body types, I have to really work not to turn them into caricatures of the ‘fat person.’ There’s a lot more thinking involved than you’d imagine—where do the fat deposits go? How does the body sit? There’s a lot more softness and flowing involved than in my ‘norm’ body type.
I want to be able to show the beauty in healthy bodies—it’s fine if a person is a little overweight or a little too skinny or not the modern standard of pretty. They still have lovely curves or lovely planes of lines. They still can be beautiful.
Bottom: Trying to figure out the wing attachment system for dragons. The red is the wing itself—the muscles and the membrane. I know the wing pecs need to be fairly large, so the ribcage deepens after the pecs for the first pair of forelegs—the walking legs—to accommodate this.
The blue is me trying to figure out how to support the front half of the dragon during flight. The wing membrane extends back into the tail in order to prevent ‘flop-butt syndrome,’ but I’m not quite sure if the current system is able to keep the dragon’s forelimbs and neck/head elevated. It’s a fairly heavy part of the animal, after all. The blue is my idea of a kind of ‘cradle’ of muscles that would kind of fasten the ribcage in an elevated position during flight. They attach fairly far back, and then the muscles tighten up the slack in the body to keep the ribcage up. Make sense? What do you think?





